This is the equipment and settings that were used.ģ5 frames. I'll be basing this tutorial on a panorama I shot at Sugarloaf Rock, Dunsborough. With that being said, I like the 24mm perspective because it's the widest angle in the standard 24-70 field of view. It will just look like a very wide 24mm perspective. In other words, stitching multiple images shot on a 24mm will NOT result in an image that looks like a 14mm. It's important to know, however, that the perspective of the resulting panorama will be the same as the perspective of the lens it was shot on. Some like the standard 50mm perspective and some like the ultra-wide and distorted perspective. People prefer different looks to their photos. Along with my Gigapan Epic Pro, this is the main set up I use to shoot panoramas and photospheres. I've been using the Sigma 24mm F1.4 ART lens along with a Nikon D750 as my main shooting combo for the past year and have come to know this particular set up intimately. So here's the first tutorial in a new "How to" series.
I've recently been asked by several people to write tutorials on how I produce my images. My name is Paean Ng, a self-taught astrophotographer based in Perth, Western Australia. Have you ever wanted to shoot wider than the field of view of your lens?
Have you ever felt that a 14mm F2.8 Rectilinear lens on a Full Frame DSLR just wasn't wide enough?